It was a brave move, to release a TV show/limited series set in the aftermath of a world-ending respiratory virus pandemic right at the tail end of covid. Good thing that the execution was flawless, from the dream-like cinematography,1 through casting, to Satoshi Kon-like editing. Notes of Watchmen, too, in how the source material is to be taken seriously but not literally when converting a book into something else.
Importantly, Station Eleven is set in, but is not about, a post-apocalyptic Earth, in much the same way Titanic was set in, but was not about, a sinking ship. Less romantic love and more parent/guardian/child love/hate relationships here, which is why it takes 9+ hours instead of 3+ to tell the story; but a full, rich, meaningful story is told, and told well. Kudos.
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Almost every shot reminded me of the dream sequences from The Leftovers, which were in fact its best part. And it is here that I realize with horror that I never wrote about The Leftovers, which is in my all-time top 5. A rewatch and a writeup are due. ↩