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Day Seven


Day Six


Day Five


Day Four


What I learned on Twitter, week of 12/28/20


Day Three

  • Reading: TCR and TCL1A collaboration in T-PLL, an article from late last year about T prolymphocytic leukemia, sometimes called T-CLL, both being misnomers.
  • Watching: Video of a hawk (or is it a falcon?) picking on a rat carcass on top of a traffic light in DC, courtesy of my wife. I’ll spare you the gory details.
  • Playing: Hunt a Killer, which is a birthday present I may finally get to since we are now 2 for 3 in rainy days this year.
  • Thinking: If I am typing this on the phone is it still considered writing?

Day Two

  • Reading: My Name is Red and A Pattern Language, still. The beginning few chapters of the latter give the best explanation for why McMansions are a waste of space, with square foot upon square foot of single-use (or no-use!) space.
  • Watching: Season 1 of The Americans soon to be completed. Tough stuff.
  • Playing: Dark Souls III (or rather I will attempt to do so… the Elder Signs game went fine yesterday until the youngest decided sucking on monster tokens is great use of his time)
  • Eating: black beans (like most cooking websites this one too has SEO’d itself into parody, but it is a good recipe)
  • Thinking: Does birdwatching count as playing? Because with the gorgeous weather outside a walk in the woods will be in order.

Day One


Corona 300

March 7, 2020 was a Saturday. I woke up at 8am, which is as late as it gets, since the night before we watched Breathless and The Graduate back-to-back (the 1960s were a good decade for movies). Most of they was spent in visiting friends in downtown DC. They are a family of four in a tiny one-bedroom; we compared notes on where best to stash the extra flour, rice, pasta, and other staples1 we stocked up on expecting the inevitable. The inevitable came that night as we were heading out, when Mayor Bowser announced in a late news conference that yes indeed Washington DC had its first confirmed case of Covid-19: a man with no recent travel and no confirmed exposures, which is to say, there was already community spread. We got back to our apartment and closed the door; the next time that apartment would be empty of people again, as it usually had been on weekends and later summer afternoons before the pandemic, was more than five months later.

That was 300 days ago to the day, and as my favorite columnist and fellow millennial Janan Ganesh astutely noted, there were no grand lessons that these 300 days gave me, unless you count confirmation that humans can muddle their way through anything as a lesson. Harambe may have been killed in 2016, but 2020 was his year: a tragic, sensless event where everyone is responsible but no one is to blame — though I may be an exception in thinking this, since 2020 was the year of confirmation bias, the year of suppressing the opposing view points, the year of shaming. To complicate matters some more, it was also the year when crackpots and idiots joined into the Grand Coalition of Stoopid, expressing some points of view that maybe ought to be suppressed, and doing some things for which maybe they should be ashamed. Harambe indeed.

I finished the last year with a post about the great things that happened to me personally as the world stagnated in the 2010s. In the spirit of this year, I’ll finish with a list of failures instead, and I’ll do my best not to make it into a thinly veiled list of successes:

  • I read far fewer books and watched far fewer movies than any year before.
  • I wrote far fewer (medical) articles than planned.
  • I wasted time on Twitter like never before (and, let’s hope, never again).
  • I dropped more projects than ever before, including piano lessons, learning a new language, speed-completing the Rubik’s cube, and running in cold weather, among many others.
  • I walked less than any other year since I started walking.2
  • I commuted more by car than ever since moving to DC.
  • I ordered more takeout than ever.
  • And the one that hurts the most: I did not finish a single video game, or even play anything for more than 15 minutes, unless you count Good Sudoku which is truly a masterpiece of design and the highlight of the year. Yes, the highlight.

  1. Though not, funnily enough, toilet paper. 

  2. This may be an exaggeration, but not by much. 


Soul 👍

There are so many parallels between this movie and Wolfwalkers, which is just as well since they are the two main contenders for the 2021 Academy Awards. Both have masterfully innovative animation, but where Wolfwalkers looked back at the old texts and pre-renaissance perspective for inspiration and side-stepped into something new, Soul pushes La Linea and its own work to 11 with Terry, the best non-villain villain since the wind in Kiki’s Delivery Service.

Note also Trent Reznor’s notes bleeping and blooping away in the background. The soundtrack is another thing on par with Wolfwalkers. As you may have seen in the trailers and guessed from the title, most of the music in Soul is jazz, melded with ethereal electro-something.1

Both fumble the narrative: Wolfwalkers’ story because it was predictable, Soul’s because incoherence. The presumed big conflict — man v. death — is deemphasized in favor of many small ones: art v. education, passion v. commitment, meaning v. nihilism, hippies v. bureaucrats, moments of inspiration v. the daily grind. It is just too much philosophizing, and this is coming from someone who has, from the age of six, been called a philosopher by exasperated adults.2

Not that the story is bad, it is just not as focused as its closest Pixar ancestor — Inside Out — another villain-less meditation on the internal lives of humans.3 Even so, it takes the top half of the Pixar pantheon, at least a few notches above Docter’s first movie, Up.4 Wish other studios put out things that were half as good this year.


  1. Important to note here that I am tone-deaf. Don’t come to me for music advice. 

  2. A more precise term would have been a sophist, but what did they know? 

  3. Though in this case, sadly, not cats, dogs, and other animals. Do they not have souls, Pete? 

  4. But not its openning sequence, which are still my favorite five minutes of animation and are now (gasp) eleven years old. 

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