Index ¦ Archives ¦ Tags ¦ RSS > Author: Miloš Miljković

What I learned on Twitter, week of 11/23/2020


Things for which I am thankfull, in no particular order

  • A toddler’s giggle
  • A third-grader’s pout
  • Foam mat floor tiles
  • Child locks
  • Apple TV+, including but not limited to Ted Lasso, Tiny World, Mythic Quest, Fireball, and Wolfwalkers which even before being released has provided hours of entertainment for my children by the virtue of its most excellent trailer
  • Essential workers
  • A working internet connection, on weekday mornings in particular
  • My coworkers, each and every one
  • Overcast
  • Belgian beer, more specifically Duvel and Chimay Tripel (aka Chimay White)
  • Wireless buds, even though they remind me of that one episode of Doctor Who
  • Fresh towels
  • Reliable pens (this one too, and here’s a good mechanical pencil)
  • Good journalism
  • Blurred backgrounds (but I may soon start using these instead)
  • Physical mute buttons
  • Reliable cars
  • Fast pipelines
  • Thoughtful interviewers
  • Saturday afternoons when we’re all back from a long walk outside and tired enough to have a good appetite but not too tired to spend the evening doing something fun knowing there’s also Sunday to look forward to
  • Long sentences
  • Good endings

The Computer and the Brain

At a hundred pages, a fifth of which is the preface, this is a slender book that compares the 1950s state of the art computer and neuroscience, but more importantly gives the answer to the burning question in oncology: how much are a few months of overall survival benefit worth? Well, if you are John von Neumann and you have boney metastasis from a cancer of unknown origin eating away first your energy and then your mental capacities while your are writing a series of lectures on how similar and different brains are from “modern-day”1 computers, and you are way ahead of your time in thinking about both, well, the answer to that question is quite a lot. It is in fact an unthinkable loss that he died before he could even finish his writing, let alone hold the lectures.

It was also somewhat eerie to read about the comparison between humans and machines shortly after Apple announced its quite literally game-changing M1 processor. There is fierce competition among the big tech companies to build the Skynet of our universe, and as of last week Apple is winning.


  1. i.e. 1950s, though apparently the architecture hasn’t changed at all, save for the size and number of the components. 


Enola Holmes 👎

Netflix has a knack for producing empty calories, and Enola Holmes is not an exception. Pretty visuals, female empowerment, and decent to above-average acting can’t hide the blandness of its storyline nor the absence of any reasoning, deductive or otherwise.

It is, by the way, hard to think of Enola’s character as particularly empowered when the next three women in screen time order are her mother the polymath rebel, her friend the black martial arts teacher, and an aristocratic evil mastermind. Not to mention the brief appearance of a coitery of female anarchist geniuses. In Victorian London!1 A bit too on the nose, maybe? To paraphrase the Incredibles, when everyone’s special, no one is.


  1. What’s worse, there is a story where this particular cast of characters makes perfect sense in this particular setting, one where a downtrodden young woman — think female Oliver Twist — meets them in order to learn what’s possible. But Enola is built up to already be the self-reliant Victorian anti-lady. Running into even more of the same archetype on her way to saving the prince makes for boring and lazy storytelling. 


What I learned on Twitter, week of 11/16/2020


What I learned on Twitter, week of 11/9/2020


The Queen’s Gambit ♟👍 🎭👎

It’s full of style, has excellent casting, and pretty good chess1, which is enough to make it into an enjoyable but forgettable miniseries. If only they had put in as much effort and thought into character development as they did in Beth Harmon’s dresses…


  1. I hear, never being much into chess, except that now thanks to the show I’m a paying member at chess.com and am very much looking forward to playing a few games with my own children once they’re old enough not to chew on the figures constantly. But I still think Twilight Struggle is the superior game. 


Ted Lasso 👍👍👍

As long as I can remember1, any protagonist of a movie or a TV show who wasn’t world-weary and cynical was either naïve, stupid, or both. In American popular culture, “good” people are the way they are only because they don’t understand how the world truly works. As side characters they are mostly comic relief. As protagonists they can only succeed through piercing the veil of ignorance — becoming worse people in the process — or by pure dumb luck. Ned Flanders, Forest Gump, Kimmy Schmidt all come to mind.

Not so with Ted Lasso, the only character in recent memory who is well aware that the world is harsh and that there are people out to get him2, yet defaults to thinking the best of everyone he meets. He is still capable of mild deception in the service of punishing the wicked, but he can’t even punish someone without an endearing monologue on what he’s all about: being curious and not judgmental.

Being more curious and less judgemental would serve everyone well at any time, but never more so than this year, when everyone suspects the worst of everyone else. The default behavior is mistrust, the default sentiment cynicism. This show starts with plenty of both, yet they melt away under Lasso’s high-power beam of un-ironic and very self-aware goodness. If the 2000s were the decade of The Wire and the 2010s were the decade of the Game of Thrones, I wish, hope, pray that the 2020s turn out to be the decade of Ted Lasso.


  1. Which is to say, mid to late 1980s. 

  2. The show doesn’t hide who this is: all of England, save for two close friends. 


What I learned on Twitter, week of 11/2/2020


What I learned on Twitter, week of 10/26/2020

Bonus: I may finally learn how many people actually read this blog.

© Miloš Miljković. Built using Pelican. Theme by Giulio Fidente on github.